This is a must see exhibit featuring 80 of the artists works, many of them wall sized. As a black artist Marshall confronts race relations, but in an unusual way. Apologies in advance for forgetting my camera, and relying on my phone.
He avoids stereotypes, showing everyday black life.
How subversive this can be is shown by the next picture that was discussed on NPR.
This is part of Marshall's series of paintings of housing projects, mainly in Chicago, but one in Los Angeles. Whites viewing this pictures see the man as having dead eyes, reflecting their view of the projects. But the artist, and most Blacks, see the man as relaxed, chilling. Note the tunes from his radio in the corner, his pop and the green grass.
The following picture argues for a black definition of beauty that need not parrot the white concept. Note that racism may be replaced by a bit of sexism.
Some pictures are more direct, such as the depiction of two dead children with the date of their deaths.
When you go please see and read about the three pictures of medallions with a photo of a white woman in each. You will be moved.
The glass door Marshall sought to break was the one keeping black artists out of major museums. One of his reasons for large paintings was to break a pattern of only white painters going big. Similarly he toyed with traditional styles, showing his mastery of such forms. Below is symbolism of death, using the Byzantine style.
I have only touched the surface. Please see for yourself, and let me know your thoughts.
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